Auntie's Beads Blog – Beading & Jewelry Making

The Lantern beads are one of my favorite styles, and I love combining silver and black.  I like to make earrings that can be worn for any occasion.  I think these earrings would look great with just about anything…think jeans and a black turtleneck, or a cocktail dress at a holiday party.  The lantern beads provide a sleek, sophisticated look, while the dangles add movement and a touch of whimsy, creating an elegant balance.

- Created by Lisa Hughes Iversen of Angel Whispers Jewelry

1.  Using a 2mm ball head pin, place on a 4mm black bicone, 4mm Bali spacer, and 2mm sterling silver round bead.
2. Bend the head pin over the top of the silver bead, using a flush cutter trim to 1/4″ and make a simple loop using a round nose pliers – repeat 5 times – for a total of 6 dangles.
3. Take an eye pin, open the loop with a chain nose pliers, slip on 3 of the dangles, close the loop, and repeat with the second eye pin.
4. Take one of the eye pins, place a starburst spacer, lantern bead, a starburst spacer, a 4mm black bicone, a 4mm flat Bali spacer, and a 2mm sterling silver round bead.
5. Hold the eye pin above the 2mm bead, using a flat nose pliers, bend the wire to a 90 degree angle – in the same direction as the bottom loop, trim to 1/4 ” and make a simple loop.
6. Repeat steps 5 & 6 with the second eye pin.
7. Slip completed earrings onto French Hook ear wires or your own handmade ear wires.

 
Materials and Tools Needed:
 
Sterling Silver Lantern Bead – 12mm – 2 pieces
Sterling Silver eye pins – 2 pieces
Sterling Silver ball head pins – 6 pieces
Swarovski Crystal bicone beads – jet black -  8 pieces
Spacers – 4mm Flat Bali – 8 pieces
Spacers – Starburst Bali spacers – 4 pieces
Sterling Silver round bead – 2mm – 8 pieces
Sterling Silver Earwire with 2 mm Ball, 21 Gauge, Pair
  or  Handmade Ear wires (SEE POST BELOW)
Round Nose Pliers
Chain Nose Pliers
Flush cutter

- Created by Lisa Hughes Iversen of Angel Whispers Jewelry

As a jewelry designer, you always strive to create unique, wearable pieces of art. In the past year or two, there have been a lot of products on the market that let you truly create original, personal pieces for yourself and others. We call these products our Glue In and Glaze line. If you are looking for something new and fun to add to your design repertoire or just want to understand the product a little better, then you have come to the right spot!

We started our collection with pewter charms. I especially love the oval and round charms because their shape is just so versatile but we also carry them in squares, rectangles, and links. The best part about the pewter frames is the template so you don’t have to keep cutting your image down. Simply place your image under the template, trace, and cut.

After you have gotten your image down to a certain size, you will want to adhere it to the inside of the charm using Gem Tac and then give it a few hours to dry. If you are using shallow charms or pendants, you will want to use the Diamond Glaze which applies a thin, glossy clear coat on top of your images. In order to fill up the charm, you may have to use more than one coat; if so, let each layer dry thoroughly before applying the next. (I usually give mine at least 48 hours drying time.) A tip: always keep a paintbrush or toothpick—or some object with a small, fine point—handy so you can work out any bubbles that may try to arise within your work.

In addition to the pewter charms, we carry pendants that are perfect for customizing as well. Some are deeper than others, though so you have to be change gears a bit when working with these. Instead of using Diamond Glaze, you will want to use DG3 Gel. Both are clear drying products but Diamond Glaze tends to get a little cloudy when too many layers are applied. DG3 Gel will allow you to put multiple coats on without compromising the color or finish of your photo. Like the Diamond Glaze, DG3 Gel requires adequate time to dry between coats. Again, I would wait at least 48 hours between each coat. To take it even a step further, I usually wait a week before I will sell one of my finished pieces using the gel. Because it is water based, it requires a lot of time to fully cure. I have found that putting my pieces under a lamp helps expedite the drying process but I am still very cautious about handling my pieces until I know each layer is completely dry.

Let’s say you’ve got the whole process figured out but you make a mistake and accidentally stick your finger in the gel while it is drying. (Yes, this is written from a little bit of personal experience.) The best part about working with these gels is that, because they are water based, no mistake is permanent and clean-up is easy. All you have to do is soak your piece in water and you will be able to salvage your pendant or charm.

I honestly didn’t think this gluing and glazing thing would be something I would be into but it really is so much fun. From photographs to collage sheets, I have been able to create truly unique, personalized, wearable works of art with just a hint of glue, a smidge of glaze, and a dash of patience!

Shanna Steele, Auntie’s Beads Designer

Those of us who are beadaholics know that part of the addiction to making jewelry comes from the fact that you never stop learning. Whether you are exploring a new technique, tool, medium, or material, it seems as though there is always something to discover. I have noticed in my years of designing that beading has taught me a lot about myself and a lot of valuable lessons that can be applied not just to my bead board but to life in general.

 A few things I have learned along the way:

1. Frustration only breeds more frustration. Have you ever noticed that the more frustrated you get, the more negative you get, and the more this whole cycle of frustration and negativity hampers your creativity? The things we tell ourselves when we feel like we can’t do something are the very things that block us from being able to do that something. The solution: walk away from the bead board and return when you feel refreshed, relaxed, and more positive about yourself and your work.

 2. Patience really is a virtue. Most people assume that designers—or creative types of any kind—are always “on” and just have those creative juices flowing all the time. This just simply isn’t true. I can’t tell you how many times I have had an idea in my head only to find that the piece isn’t working out quite the way I envisioned it or only to find that the pattern I am working on just isn’t going to measure out the way it should. All the creativity in the world won’t help solve the problem; patience is the only real solution. My favorite, most original pieces have come from a perfect fusion of creativity and patience.

3. Work from your strengths, not from your weaknesses. A few months ago, we went through a strengths training workshop to discover what really moved, motivated, and inspired us. This changed the way I thought about beading—and life. Admittedly, I am not a person who likes repetition so I don’t like creating the same finished piece over and over again nor do I like making long necklaces (especially if they are straight strung or wire wrapped). Knowing what I don’t enjoy frees me to concentrate on the things I do love so I can grow and further my knowledge in those areas. I learned that it is okay not to be a jack-of-all-trades and it is perfectly fine to spend more time doing what you love.

One of the biggest perks of my job (besides being amongst beautiful beads all day long!) is hearing from people whose lives have been touched by the amazing rewards beading can bring. What life lessons have you learned from your experience as a beader? When you walk away from your bead board, what emotions do you have when you have finished a piece that has that “wow” factor? Share your experiences with me—and your fellow beaders—by commenting below!

Shanna Steele, Auntie’s Beads Designer